likeafieldmouse:

Dan Holdsworth - Blackout (2010)
"…Iceland’s southern landscape, a place dominated by glaciers permeated with so much basalt-black dust and grit as to be dark, not light. In this harsh, vast landscape where tectonic plates rip the earth’s surface violently apart and volcanic ash and glaciers collide, the detritus of the past is literally frozen into the present.
These glaciers are, however, rapidly melting away, an event which acts as a powerful quantifier of the environmental conditions of our time.
Inspired by the 1965 New York blackout, this series sees Holdsworth execute a double inversion, making black glaciers white to craft an alter-reality within the negative frame. This is a modern measure of time, a phenomenological encounter in which distortion of light heightens the other senses, disrupts awareness of duration, and compels us engage with the world in an entirely new way. His decision to abstract an already incomprehensible terrain enhances its alien qualities: black skies and a landscape that appears illuminated from within portray a place that is, geologically and conceptually, more akin to a lunar landscape than our own planet.
These images are a digital rendering of the technological sublime, documents of a planetary surface that confront us with the Other, shifting perspective and forcing us to see ourselves anew.”
likeafieldmouse:

Dan Holdsworth - Blackout (2010)
"…Iceland’s southern landscape, a place dominated by glaciers permeated with so much basalt-black dust and grit as to be dark, not light. In this harsh, vast landscape where tectonic plates rip the earth’s surface violently apart and volcanic ash and glaciers collide, the detritus of the past is literally frozen into the present.
These glaciers are, however, rapidly melting away, an event which acts as a powerful quantifier of the environmental conditions of our time.
Inspired by the 1965 New York blackout, this series sees Holdsworth execute a double inversion, making black glaciers white to craft an alter-reality within the negative frame. This is a modern measure of time, a phenomenological encounter in which distortion of light heightens the other senses, disrupts awareness of duration, and compels us engage with the world in an entirely new way. His decision to abstract an already incomprehensible terrain enhances its alien qualities: black skies and a landscape that appears illuminated from within portray a place that is, geologically and conceptually, more akin to a lunar landscape than our own planet.
These images are a digital rendering of the technological sublime, documents of a planetary surface that confront us with the Other, shifting perspective and forcing us to see ourselves anew.”
likeafieldmouse:

Dan Holdsworth - Blackout (2010)
"…Iceland’s southern landscape, a place dominated by glaciers permeated with so much basalt-black dust and grit as to be dark, not light. In this harsh, vast landscape where tectonic plates rip the earth’s surface violently apart and volcanic ash and glaciers collide, the detritus of the past is literally frozen into the present.
These glaciers are, however, rapidly melting away, an event which acts as a powerful quantifier of the environmental conditions of our time.
Inspired by the 1965 New York blackout, this series sees Holdsworth execute a double inversion, making black glaciers white to craft an alter-reality within the negative frame. This is a modern measure of time, a phenomenological encounter in which distortion of light heightens the other senses, disrupts awareness of duration, and compels us engage with the world in an entirely new way. His decision to abstract an already incomprehensible terrain enhances its alien qualities: black skies and a landscape that appears illuminated from within portray a place that is, geologically and conceptually, more akin to a lunar landscape than our own planet.
These images are a digital rendering of the technological sublime, documents of a planetary surface that confront us with the Other, shifting perspective and forcing us to see ourselves anew.”
likeafieldmouse:

Dan Holdsworth - Blackout (2010)
"…Iceland’s southern landscape, a place dominated by glaciers permeated with so much basalt-black dust and grit as to be dark, not light. In this harsh, vast landscape where tectonic plates rip the earth’s surface violently apart and volcanic ash and glaciers collide, the detritus of the past is literally frozen into the present.
These glaciers are, however, rapidly melting away, an event which acts as a powerful quantifier of the environmental conditions of our time.
Inspired by the 1965 New York blackout, this series sees Holdsworth execute a double inversion, making black glaciers white to craft an alter-reality within the negative frame. This is a modern measure of time, a phenomenological encounter in which distortion of light heightens the other senses, disrupts awareness of duration, and compels us engage with the world in an entirely new way. His decision to abstract an already incomprehensible terrain enhances its alien qualities: black skies and a landscape that appears illuminated from within portray a place that is, geologically and conceptually, more akin to a lunar landscape than our own planet.
These images are a digital rendering of the technological sublime, documents of a planetary surface that confront us with the Other, shifting perspective and forcing us to see ourselves anew.”
likeafieldmouse:

Dan Holdsworth - Blackout (2010)
"…Iceland’s southern landscape, a place dominated by glaciers permeated with so much basalt-black dust and grit as to be dark, not light. In this harsh, vast landscape where tectonic plates rip the earth’s surface violently apart and volcanic ash and glaciers collide, the detritus of the past is literally frozen into the present.
These glaciers are, however, rapidly melting away, an event which acts as a powerful quantifier of the environmental conditions of our time.
Inspired by the 1965 New York blackout, this series sees Holdsworth execute a double inversion, making black glaciers white to craft an alter-reality within the negative frame. This is a modern measure of time, a phenomenological encounter in which distortion of light heightens the other senses, disrupts awareness of duration, and compels us engage with the world in an entirely new way. His decision to abstract an already incomprehensible terrain enhances its alien qualities: black skies and a landscape that appears illuminated from within portray a place that is, geologically and conceptually, more akin to a lunar landscape than our own planet.
These images are a digital rendering of the technological sublime, documents of a planetary surface that confront us with the Other, shifting perspective and forcing us to see ourselves anew.”
likeafieldmouse:

Dan Holdsworth - Blackout (2010)
"…Iceland’s southern landscape, a place dominated by glaciers permeated with so much basalt-black dust and grit as to be dark, not light. In this harsh, vast landscape where tectonic plates rip the earth’s surface violently apart and volcanic ash and glaciers collide, the detritus of the past is literally frozen into the present.
These glaciers are, however, rapidly melting away, an event which acts as a powerful quantifier of the environmental conditions of our time.
Inspired by the 1965 New York blackout, this series sees Holdsworth execute a double inversion, making black glaciers white to craft an alter-reality within the negative frame. This is a modern measure of time, a phenomenological encounter in which distortion of light heightens the other senses, disrupts awareness of duration, and compels us engage with the world in an entirely new way. His decision to abstract an already incomprehensible terrain enhances its alien qualities: black skies and a landscape that appears illuminated from within portray a place that is, geologically and conceptually, more akin to a lunar landscape than our own planet.
These images are a digital rendering of the technological sublime, documents of a planetary surface that confront us with the Other, shifting perspective and forcing us to see ourselves anew.”
likeafieldmouse:

Dan Holdsworth - Blackout (2010)
"…Iceland’s southern landscape, a place dominated by glaciers permeated with so much basalt-black dust and grit as to be dark, not light. In this harsh, vast landscape where tectonic plates rip the earth’s surface violently apart and volcanic ash and glaciers collide, the detritus of the past is literally frozen into the present.
These glaciers are, however, rapidly melting away, an event which acts as a powerful quantifier of the environmental conditions of our time.
Inspired by the 1965 New York blackout, this series sees Holdsworth execute a double inversion, making black glaciers white to craft an alter-reality within the negative frame. This is a modern measure of time, a phenomenological encounter in which distortion of light heightens the other senses, disrupts awareness of duration, and compels us engage with the world in an entirely new way. His decision to abstract an already incomprehensible terrain enhances its alien qualities: black skies and a landscape that appears illuminated from within portray a place that is, geologically and conceptually, more akin to a lunar landscape than our own planet.
These images are a digital rendering of the technological sublime, documents of a planetary surface that confront us with the Other, shifting perspective and forcing us to see ourselves anew.”
likeafieldmouse:

Dan Holdsworth - Blackout (2010)
"…Iceland’s southern landscape, a place dominated by glaciers permeated with so much basalt-black dust and grit as to be dark, not light. In this harsh, vast landscape where tectonic plates rip the earth’s surface violently apart and volcanic ash and glaciers collide, the detritus of the past is literally frozen into the present.
These glaciers are, however, rapidly melting away, an event which acts as a powerful quantifier of the environmental conditions of our time.
Inspired by the 1965 New York blackout, this series sees Holdsworth execute a double inversion, making black glaciers white to craft an alter-reality within the negative frame. This is a modern measure of time, a phenomenological encounter in which distortion of light heightens the other senses, disrupts awareness of duration, and compels us engage with the world in an entirely new way. His decision to abstract an already incomprehensible terrain enhances its alien qualities: black skies and a landscape that appears illuminated from within portray a place that is, geologically and conceptually, more akin to a lunar landscape than our own planet.
These images are a digital rendering of the technological sublime, documents of a planetary surface that confront us with the Other, shifting perspective and forcing us to see ourselves anew.”
likeafieldmouse:

Dan Holdsworth - Blackout (2010)
"…Iceland’s southern landscape, a place dominated by glaciers permeated with so much basalt-black dust and grit as to be dark, not light. In this harsh, vast landscape where tectonic plates rip the earth’s surface violently apart and volcanic ash and glaciers collide, the detritus of the past is literally frozen into the present.
These glaciers are, however, rapidly melting away, an event which acts as a powerful quantifier of the environmental conditions of our time.
Inspired by the 1965 New York blackout, this series sees Holdsworth execute a double inversion, making black glaciers white to craft an alter-reality within the negative frame. This is a modern measure of time, a phenomenological encounter in which distortion of light heightens the other senses, disrupts awareness of duration, and compels us engage with the world in an entirely new way. His decision to abstract an already incomprehensible terrain enhances its alien qualities: black skies and a landscape that appears illuminated from within portray a place that is, geologically and conceptually, more akin to a lunar landscape than our own planet.
These images are a digital rendering of the technological sublime, documents of a planetary surface that confront us with the Other, shifting perspective and forcing us to see ourselves anew.”
likeafieldmouse:

Dan Holdsworth - Blackout (2010)
"…Iceland’s southern landscape, a place dominated by glaciers permeated with so much basalt-black dust and grit as to be dark, not light. In this harsh, vast landscape where tectonic plates rip the earth’s surface violently apart and volcanic ash and glaciers collide, the detritus of the past is literally frozen into the present.
These glaciers are, however, rapidly melting away, an event which acts as a powerful quantifier of the environmental conditions of our time.
Inspired by the 1965 New York blackout, this series sees Holdsworth execute a double inversion, making black glaciers white to craft an alter-reality within the negative frame. This is a modern measure of time, a phenomenological encounter in which distortion of light heightens the other senses, disrupts awareness of duration, and compels us engage with the world in an entirely new way. His decision to abstract an already incomprehensible terrain enhances its alien qualities: black skies and a landscape that appears illuminated from within portray a place that is, geologically and conceptually, more akin to a lunar landscape than our own planet.
These images are a digital rendering of the technological sublime, documents of a planetary surface that confront us with the Other, shifting perspective and forcing us to see ourselves anew.”

likeafieldmouse:

Dan Holdsworth - Blackout (2010)

"…Iceland’s southern landscape, a place dominated by glaciers permeated with so much basalt-black dust and grit as to be dark, not light. In this harsh, vast landscape where tectonic plates rip the earth’s surface violently apart and volcanic ash and glaciers collide, the detritus of the past is literally frozen into the present.

These glaciers are, however, rapidly melting away, an event which acts as a powerful quantifier of the environmental conditions of our time.

Inspired by the 1965 New York blackout, this series sees Holdsworth execute a double inversion, making black glaciers white to craft an alter-reality within the negative frame. This is a modern measure of time, a phenomenological encounter in which distortion of light heightens the other senses, disrupts awareness of duration, and compels us engage with the world in an entirely new way. His decision to abstract an already incomprehensible terrain enhances its alien qualities: black skies and a landscape that appears illuminated from within portray a place that is, geologically and conceptually, more akin to a lunar landscape than our own planet.

These images are a digital rendering of the technological sublime, documents of a planetary surface that confront us with the Other, shifting perspective and forcing us to see ourselves anew.”

likeafieldmouse:

Erwan Frotin - Flora Olbiensis
likeafieldmouse:

Erwan Frotin - Flora Olbiensis
likeafieldmouse:

Erwan Frotin - Flora Olbiensis
likeafieldmouse:

Erwan Frotin - Flora Olbiensis
likeafieldmouse:

Erwan Frotin - Flora Olbiensis
likeafieldmouse:

Erwan Frotin - Flora Olbiensis
likeafieldmouse:

Erwan Frotin - Flora Olbiensis
likeafieldmouse:

Erwan Frotin - Flora Olbiensis
likeafieldmouse:

Erwan Frotin - Flora Olbiensis
likeafieldmouse:

Erwan Frotin - Flora Olbiensis
likeafieldmouse:

Robert Moses Joyce
likeafieldmouse:

Robert Moses Joyce
likeafieldmouse:

Robert Moses Joyce
likeafieldmouse:

Robert Moses Joyce
likeafieldmouse:

Robert Moses Joyce
likeafieldmouse:

Robert Moses Joyce
likeafieldmouse:

Robert Moses Joyce
likeafieldmouse:

Robert Moses Joyce
likeafieldmouse:

Robert Moses Joyce
likeafieldmouse:

Robert Moses Joyce
watershedplus:

On rare years when the conditions are right in the arid landscape of the Badlands, in the American West, wildflowers burst into a display of colour for just a few days.  The vegetation in the region has adapted to the climate, with just a small amount of moisture the desert can become coloured with sweeping fields of Scorpion Weed, Beeplant and the flowers of the Pincushion Cacti. These blooms can be very short-lived to conserve moisture.
Photographs by Guy Tal
From here
watershedplus:

On rare years when the conditions are right in the arid landscape of the Badlands, in the American West, wildflowers burst into a display of colour for just a few days.  The vegetation in the region has adapted to the climate, with just a small amount of moisture the desert can become coloured with sweeping fields of Scorpion Weed, Beeplant and the flowers of the Pincushion Cacti. These blooms can be very short-lived to conserve moisture.
Photographs by Guy Tal
From here
watershedplus:

On rare years when the conditions are right in the arid landscape of the Badlands, in the American West, wildflowers burst into a display of colour for just a few days.  The vegetation in the region has adapted to the climate, with just a small amount of moisture the desert can become coloured with sweeping fields of Scorpion Weed, Beeplant and the flowers of the Pincushion Cacti. These blooms can be very short-lived to conserve moisture.
Photographs by Guy Tal
From here
watershedplus:

On rare years when the conditions are right in the arid landscape of the Badlands, in the American West, wildflowers burst into a display of colour for just a few days.  The vegetation in the region has adapted to the climate, with just a small amount of moisture the desert can become coloured with sweeping fields of Scorpion Weed, Beeplant and the flowers of the Pincushion Cacti. These blooms can be very short-lived to conserve moisture.
Photographs by Guy Tal
From here

watershedplus:

On rare years when the conditions are right in the arid landscape of the Badlands, in the American West, wildflowers burst into a display of colour for just a few days.
The vegetation in the region has adapted to the climate, with just a small amount of moisture the desert can become coloured with sweeping fields of Scorpion Weed, Beeplant and the flowers of the Pincushion Cacti. These blooms can be very short-lived to conserve moisture.

Photographs by Guy Tal

From here

(via lysergic-acid-diethylamide)

On top of the world with some of the most amazing people I know
#mountain #summit #Torrey’s #colorado #hike #family

↠⊕Recollection⊕↞
#drawing #ink #coffee #crystal #Sri Yantra #reverie #colorado #mountains #art

ultrafacts:

Source For more facts follow Ultrafacts ultrafacts:

Source For more facts follow Ultrafacts

literaryghoul:

unless your teachers are abusive assholes there is no fucking reason to disrespect them

they are literally trying their hardest to get you an education

teachers have every right to complain about rude students or the amount of papers they have to grade because their salary…

lusidar:

Michael Ross
Las Vegas, Nevada

lusidar:

Michael Ross

Las Vegas, Nevada

(via bansheebeatle)

imlucecannon:

This is what happened when Scientist divided one glass of water into 4 samples and spoke 4 different emotions over them repetitiously. The relevance is nothing impacts the essence of water faster than human emotion and since 90% of our bodies are composed of water, we must be mindful of the words we speak

(via bansheebeatle)